EOSHD grades the Blackmagic camera raw CinemaDNG files
Comment on this article at the EOSHD Forum Above: my first go at grading the Blackmagic Cinema Camera raw output The above frame is scaled to 660 pixels wide for the blog. Click here to view the full...
View ArticleEditing raw video on a $900 Hackintosh (with $5000 Mac Pro levels of...
Comment on this article at the EOSHD Forum With the raw format becoming affordable for the first time this year (Blackmagic Cinema Camera, Red One, Ikonoskop) many aspiring filmmakers are considering...
View ArticleIkonoskop A-cam dll versus Blackmagic Cinema Camera
Comment on this article at the EOSHD Forum Read more in the first part of this article Back in November I tested the Ikonoskop A-cam dll with Rob of Slashcam.de and Ludwig Reuter of HD Video Shop here...
View ArticleDaVinci Resolve 10 sighted “on-set color correction and online editor”
Comment on this article at the EOSHD Forum Image source: Frank Glencairn NAB 2013 is being prepared and an eagle eyed Frank Glencairn has spotted what appears to be a giant ad board for Blackmagic’s...
View ArticleCineForm Raw and Cinema DNG converters now available for 5D Mark III raw
Comment on this article at the EOSHD Forum A professional workflow for 5D Mark III raw is now available. GoPro CineForm Raw offers 10:1 compression and can be edited directly in Adobe Premiere and...
View ArticleApple reveal new 4K equipped Mac Pro suitable for uncompressed raw editing....
Comment on this article at the EOSHD Forum The new 9.9 by 6.6 inch Mac Pro is the height of a bottle of wine and diameter of a cookie jar. Cutting edge in terms of technology it’s also a radical...
View ArticleGrading the Sony A7S with S-LOG 2 and some EOSHD cinematic looks for download
Comment on this article at the EOSHD Forum Only a few years ago S-LOG was a $3800 upgrade for the Sony CineAlta F3, itself a $15,000 camera. S-LOG made its debut on the Sony F35, a workhorse of...
View ArticleEvolving Sony A7S Review (Part 1)
Comment on this article at the EOSHD Forum I’ve had the A7S for over a week now and can share my initial thoughts, even some firm conclusions. Here’s one I’ve come to already – the Sony A7S is the best...
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Apple M1 promises full-quality 8K ProRes playback in DaVinci Resolve 17...
10bit 4:2:2 H.265 shooters rejoice! How about editing 8K ProRes in DaVinci Resolve on a 13″ Macbook? There are some big claims Apple is making for their new silicon. Let’s have a closer look… For...
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